APPARENTLY, WOKENESS KNOWS NO BOUNDARIES. THEY’VE BASTARDIZED “THE ODYSSEY.” MAKING HELEN OF TROY BLACK WHEN SHE WAS A SPARTAN PRINCESS AND THEREFORE GREEK IS LIKE REWRITING ALEX HALEY’S “ROOTS” AND MAKING KUNTE KINTE SCANDINAVIAN. IT GETS WORSE, IT’S RUMORED THAT ACHILLES IS GOING TO BE PLAYED BY ELLEN “ELLIOT” PAGE WHO IS A WOMAN WHO TRANSGENDERED TO BECOME A MAN IN REAL LIFE. THEY MIGHT AS WELL REMAKE THE MOVIE PATTON AND DRESS GEORGE C. SCOTT IN DRAG.

AND THE WOKE CROWD WONDERS WHY THEY CAN’T WIN NATIONAL ELECTIONS. THE WOKE CROWD IS CATERING TO ITS SUPPORTERS THE SAME WAY THE NAZI PARTY WAS CATERING TO THE RACIST SYMPATHIES OF THE MOB. THE COUNTRY IS IN TROUBLE BECAUSE ENTERTAINMENT HAS BECOME THE WOKE PROPAGANDA MACHINE AND WHEN THEY REWRITE CLASSICAL HISTORY THROUGH THIS CRAZY WOKE AGENDA IT IS QUITE CONCEIVABLE AT SOME POINT, A NUT JOB LIKE AOC COULD WIN THE PRESIDENCY. FOR HER TO WIN SHE JUST NEEDS TO WIN THE SWING STATES AND THAT DOESN’T REQUIRE A LOT OF VOTES.

IT APPEARS CHRISTOPHER NOLAN’S ODYSSEY IS BASED ON THE FOLLOWING DELUSIONAL INBRED INCESTUOUS WOKE SPHERE OF INFLUENCES WRITTEN BY THE FOLLOWING INTELLECTUALLY DERANGED ACTIVIST:

Emily Wilson, a far-left activist, essentially rewrote The Odyssey as a feminist exploration on the “evils of masculinity”. She is noted for describing most women as “slaves”, instead of servants or maids, and highlighting the “evils of ancient forms of patriarchy”.

“We should be shocked that the English-speaking world hasn’t had a translation by a woman,” Wilson said during a visit to Harvard. “Slightly more women than men get Ph.Ds. in the classics in the U.S., and yet the vast majority of translations that readers read in English for classics are by men. This is an issue, and we should talk about it.”

Her work is a perfect example of why it’s best to keep modern women away from interpreting the classics. The British-born professor, in a lecture titled “Translating ‘The Odyssey’: Why and How”, stated:

“It’s very visible to me how misogynistic some of these translations are, and not because they were consciously imposing misogyny, but they had some unconsidered biases…Men are never asked about their gender, and this omission is seriously distorting. It’s very clear gender has an impact on men’s work.”

Wilson also injected modern vernacular into her interpretation, which is allegedly applied in the Nolan version of the story. In the highly insulated and inbred world of academia, this kind of rhetoric is considered a revelation. However, to everyone else, it sounds like a blend of pretentious conceit and woke zealotry.

UNFORTUNATELY, I HAVE SEEN (AS YOU HAVE) THIS PRETENTIOUS CONCEIT AND WOKE ZEALOTRY IN THE ASPIRING BLACK WIDOW UP CLOSE AND PERSONAL. SO, THEREFORE, SOPHIA, DON’T BOTHER SEEING THIS MOVIE, BECAUSE IT IS A PERVERSION OF OUR HISTORY. IF THIS WAS DONE TO THE STORIES OF BEN HUR OR THE TEN COMMANDMENTS, THERE WOULD BE A MASSIVE OUTCRY AND REJECTION OF SUCH AN ATTEMPT TO CHANGE CLASSICAL HISTORY. USING THE LOGIC THAT HAS BEEN APPLIED TO CHANGING THE ODYSSEY, MOSES WOULD BE THE ULTIMATE MISOGYNIST.

I DARE EMILY WILSON TO REWRITE THE TEN COMMANDMENTS AND BEN HUR THROUGH THE SAME LENS AS SHE DID “THE ODYSSEY.”

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LOVE,

DAD